When unveiling the unconscious mask of universal separation, we see that all definitive forms are just waves in an invisible sea. Since our natural sensory equipment is built to enact and constantly reinforce this illusion it's only natural that we forget. But, the unity behind the mechanics at work is always there. These projects are my attempt to clothe that inspiration.
I like to mimic expressions of natural movement on a micro and macro scale, and I utilize images to relate to the highest points of collision of that energy within our vocabulary; like being able to see every atom. My hope is to destabilize the audience's sense of an object's barriers without any absolute resolution of meaning. Stanley Kubrick once said, "A film is - or should be - more like music than like fiction. It should be a progression of moods and feelings. The theme, what's behind the emotion, the meaning, all that comes later."
That's how I feel about my paintings.